Sufis At the Cinema - Bookshelf
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288 pages |
Shi'i Islam in Iranian Cinema, Religion and Spirituality in Film In one of my interviews in 2004 with Abdollah Esfandiyari, head of the Spiritual Cinema Centre of the Farabi Cinema Foundation, he mentioned the increased appeal of darvishi, a Persian term also used to refer to Sufism, ... |
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304 pages |
Music and Media in the Arab World He received his doctorate from Universite de Montreal (Canada) in 2003, with a dissertation entitled "Le Melodrame en Egypte," and has published extensively on Sufi motifs in cinema and literature, as well as on Arabic popular culture. |

“I wanted to create sounds that are fresh and since the film touches on different emotions I could experiment with genres”, he explains. He used Pop influences in London, Electronic Sufi in Paris and Blues Rap in New York, all blended together with a strong Bollywood undertone. The musical score also features its multi-talented stars Ali Zafar and Aditi Rao Hydari singing on the official soundtrack. The first song to be taken from the official soundtrack, entitled: ‘Woh Dekhne Main’, has the lyrical talents of Aditi Rao Hydari on lead vocals.
To commemorate 100 years of Indian cinema, the upcoming International Film Festival of India (IFFI) is inviting films by debut directors to compete in the Indian Panorama and Cinema of the World section, starting this year.
Centred on the theme of Sufism, Ahsan Khan explains that the film intends to show that when a person fails in the pursuit of worldly endeavours and passions, they start to question their reason for existence and start to struggle for a higher love.
Amit Trivedi – is recognized for bringing in a new sound and revolution into Indian cinema. Known for his fresh experimentation in film music, with varied instrumentation, rustic and unknown voices. Amit is the Winner of National Award for best